Everything you Need to Know About Lighting on a Set - Office Interview

       This program reaches the art of balancing overhead office tungsten lights with cool and hot lights. How to color correct the lights using 1/4 and double gels, understanding the Kelvin light levels and set the camera iris to record a fully balanced lighting set effect at an office location. Matching Fluorescent Overheads, Lighting the Background with Overheads, Using R Lights and R Gels, Key Light with Diva and Shimera Lamps, Lights Creating heat on set Keno vs Hot Lamps, Fluorescent White Balanced Lamps 5600 K Blue Label vs 3200 K Red Label, Replacing tube lights, Calibrate the Monitor, Spiking Chair Positions, Sandbagging the Props, Adjusting Light Gain, Balancing Camera Exposure, Cutting Gels, Doubling Gels, C-47 - C74 Clamps, Gels Equivalents 1/2 Plus Green, Color Shifting, Using a 4x4 Floppy to Eliminate Background.